Through the cyanotype process, Ryn responds to and makes visible internal, intuitive understandings of the self.

Ryn’s work holds subtle tensions as she makes space for these self - reckonings. Her work recognizes the impermanence, a temporal quality, in one’s way of being. 

Ryn returns to this process with devotion, near obsession. Her repetitive, practiced patterns of mark-making have lent themselves to the development of a signature figure in her work. 

She returns to this practice as she seeks to know, and thus, care for herself.