“Allow what comes” is a public, gestural offering of movement and mark making. Informed by “quantum entanglement,” the work considers a reality amiss of predictability in knowing when atomic particles may intertwine. Metaphorically, without “hidden variables” to determine connections, how may we counteract, manipulate, or prepare for what wraps us in? 

“Behaving in all possibilities at once.” 

Through the “Art of Being” movement workshops, conceptualized and facilitated by artist Ayako Kato, I’m engaging in an ongoing process to uncover embodied knowledge, a working through of the anxious terror which arose at the thought of uncontrollable “entanglements.” 

As I worked through movement in which weight was shifted through a decisive, “dig in” and push from the ball of the foot, I returned to awareness, a deep feeling within the body, accessing instinct. As I practiced “sculpting space” through wide circular movements, I accessed intuition  and improvisation, as means of negotiating an entangled space. Through this work, I came personally to a restored sense of self - assurance in relation to others, a gleeful awakening to the possibilities entanglements may bring. 

Points of collision, without prior notice, unpredictable, responsiveness, release of control. 

In my movements, the viewer sees the body gain a recognition of its “self,” a sense of being. I shape my body into resemblances of my “drawn” figure which emerges consistently across all my work. Here I am, yet again, engaging in a new predicament. In this awakening to self - awareness, I choose openness and release. 

Noticing the utensils available to me, I turn to the page, improvisationally mark making with cyanotype chemicals. In this space, I enter a visual dialogue engaging the inner, intuitive self, the outer performative self, and surrounding entanglements in a continuous, critical process: allow what comes, feel, and respond. After the marks are made, the paper will be moved to an area with light for exposure and returned to the studio to be rinsed, fixed, and dry. 

Allow what comes includes a series of cyanotypes made from mark - making on transparencies with ink. The marks parallel the resonating forms which emerged in workshop.